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Prompt 450 · @refiner_studio

@refiner_studio · 文本生成视频

Seedance 2.5Seedance 2.5@refiner_studiovideo完整提示词text-to-video
follow storyboard images [ref. image 1], [ref. image A] -[ref. image B] for references. no text overlay.
{
  "title": "RAY — TSUNAMI INTERVENTION",

  "format": {
    "duration": "30 seconds, 24fps, 16:9 widescreen",
    "structure": "PART 1 = 0-15s (ordinary life through Ray's arrival). PART 2 = 15-30s (the charge, the freeze, the reveal). Act break lands on Ray locking position against the wave.",
    "coverage": "Declared multi-setup coverage, 8 camera setups. Cuts occur only at the setup changes listed in each beat. No unlisted cuts.",
    "screen_direction_lock": "ABSOLUTE across every setup: open sea and tsunami occupy frame RIGHT. Beach, village and inland city occupy frame LEFT. The wave always travels right to left. Ray always faces frame RIGHT. Never cross this line.",
    "setups": {
      "A": "AERIAL WIDE — helicopter, 200-400ft, oblique to the wave front, running parallel to the coastline. Natural rotor vibration, slight instability, restrained optical zoom.",
      "B": "GROUND HANDHELD — chest height, among the crowd on the sand. Documentary shoulder-mount energy, real footfall shake, people crossing frame close to lens.",
      "C": "LOW GROUND WIDE — 18-24mm, near sand level angled up. The wave towers over the top of frame from a human vantage.",
      "D": "CIVILIAN CLOSE — 50mm, one face, shallow depth. Used once.",
      "E": "SURF LEVEL — camera almost at sea surface, water lapping the lens edge, wave looming directly ahead.",
      "F": "HERO CLOSE — 85mm on Ray, chest-up, wave soft behind him.",
      "G": "OVER SHOULDER — behind and slightly above Ray's right shoulder, looking frame RIGHT into the freezing wall.",
      "H": "FREEZE MACRO — very tight on the crystallization front. No horizon, no sky, pure material."
    }
  },

  "references": {
    "[ref. image]  ": {
      "role": "COASTAL SCENE PLATE",
      "use": "VIEW from within a helicopter's window. Coastline geography, beach-to-village-to-inland-city spatial relationship, palm density, roof and building character, and warm tropical daylight quality.",
      "ignore": "IGNORE its calm sea state, shallow turquoise reef water, sparse crowd, square framing and steep near-top-down camera altitude. Sea state, crowd density and camera height are defined by this prompt.",
      "scope": "All beats. Governs global lighting and colour grade — this reference wins any lighting conflict."
    },

    "Ray ": {
      "role": "RAY — COMPLETE CHARACTER SHEET",
      "use": "Use the upper section for Ray's face structure and eyes, body proportions, deep red headwrap and face mask, dark charcoal short-sleeve work shirt, off-white lungi wrap, dark belt tie, brown skin and bare feet. Use the middle section for Ray's rear and side silhouette, shirt fit from behind, and the way the headwrap tail falls across the right shoulder and back. Use the lower section only from 15s onward for partial frost buildup, fabric frost, icy-blue throat glow and frost behavior.",
      "ignore": "IGNORE the flat grey studio backdrop, static reference poses and studio lighting. IGNORE the heavy full-body desaturation to near-white — frost coverage in this film is PARTIAL only, see hero.power_state.",
      "scope": "All beats where Ray appears. Identity always follows this reference. Power-state styling applies only from 15s onward."
    },

    "[ref. image1]  [ref. image2]  ": {
      "role": "FROZEN SEAWATER MATERIAL",
      "use": "Ice translucency, trapped bubble structure, porous frozen foam, suspended spray beads and irregular seawater ice texture.",
      "ignore": "MATERIAL ONLY. IGNORE wave shape, composition, framing, lighting direction, overall cold blue grading and background environment. This reference must not influence the film's overall colour.",
      "scope": "21.5s-30s only, and only where ice material is visible."
    },

    "[ref. image]  ": {
      "role": "FROZEN TSUNAMI FORM",
      "use": "How a large curling moving wave preserves turbulent geometry when frozen: crest curl, translucent wave volume, frozen spray, irregular overhangs and sculptural wave mass.",
      "ignore": "FORM ONLY. IGNORE overall colour grade, background environment and exact composition. This reference must not override [ref. image]  for ice material detail.",
      "scope": "21.5s-30s only, and only where the frozen tsunami form is visible."
    },

    "Storyboard01": {
      "role": "SHOT DESIGN — PART 1",
      "use": "Controls shot composition, setup order, screen direction, subject placement and approximate camera perspective for 0s-15s only.",
      "ignore": "IGNORE pencil style, monochrome rendering, handwritten text and character facial detail.",
      "scope": "0s-15s only."
    },

    "[ref. image 1] [ref. image 2]  ": {
      "role": "SHOT DESIGN — PART 2",
      "use": "Controls shot composition, setup order, Ray-to-wave scale relationship, freeze coverage and final reveal for 15s-30s only.",
      "ignore": "IGNORE pencil style, monochrome rendering, handwritten text and character facial detail.",
      "scope": "15s-30s only."
    }
  },

  "look": {
    "style": "Ultra-photorealistic large-format live-action disaster cinema. Real capture behaviour throughout — rotor micro-vibration in aerials, genuine footfall shake in handheld, real exposure shift as the camera swings past the sun, lens flare only where physically motivated. Physically simulated water and ice, dense atmospheric haze, fine sea spray, subtle film grain, wide dynamic range, natural highlight rolloff, uncrushed blacks, neutral naturalistic colour science.",
    "lighting": "Bright natural tropical daylight, late morning, warm South Indian coastal sun, soft haze inland. Lighting stays physically consistent throughout — no storm build, no supernatural sky darkening. During the freeze, sunlight refracts through translucent ice producing pale blue-white internal scattering and lit trapped bubbles, while the surrounding daylight remains unchanged and warm.",
    "scale_discipline": "Humans, boats, stalls and buildings read at true scale against the wave at all times. Ray remains visually small relative to the tsunami through the entire intervention."
  },

  "scene": {
    "location": "Populated Tamil Nadu coastal beach. Open sea, broad sand shoreline, dense fishing village immediately inland behind a palm line, larger mid-rise city farther inland, low hills beyond. Colourful wooden fishing boats on the sand, modest stalls, motorcycles, tiled and corrugated roofs, narrow roads, utility poles.",
    "geography_lock": "SEA -> BEACH -> VILLAGE -> CITY, consistent in every frame and every setup. The tsunami travels from open sea toward the beach. Ray intercepts at the shoreline. Village and city survive untouched."
  },

  "hero": {
    "name": "Ray",
    "identity": "One adult South Indian man, lean and wiry with working-class build, not a bodybuilder. Deep red cotton headwrap covering his head and lower face as a mask, leaving only eyes and brow exposed — his face is never unmasked. A long tail of the same red cloth falls across his right shoulder and down his back. Dark charcoal short-sleeve work shirt, sleeves rolled. Off-white lungi wrapped and knotted at the waist with a dark tie. Bare feet. Sun-worn brown skin, weathered forearms. He looks like a fisherman, not a soldier.",
    "silhouette": "The trailing headwrap tail is his defining shape. In flight, in hover and under the wind of his own breath it whips and snaps violently, and the loose lungi hem flutters hard. This fabric motion is a required feature, not a flaw — it reads his speed, the air pressure around him, and the direction of force.",
    "power_state": "PARTIAL frost only. Heavy white frost crusts his shoulders, upper chest, forearms and the weave of the shirt and lungi. Fine frost forms on exposed skin at his arms and around his eyes. An icy-blue glow burns deep in his throat beneath the mask and leaks through cracks in the frost at his chest. CRITICAL: the headwrap keeps its deep red core colour throughout — it may rime pale at its edges and folds, but it must never desaturate to white, so Ray stays clearly readable in silhouette against the white ice wall behind him.",
    "performance": "Urgent and physically costly, never casual or heroic-posed. Braced shoulders, locked jaw under the mask, trembling forearms, ribcage fully expanded, eyes fixed and streaming. He is an ordinary man holding back an ocean and the strain shows in his whole body.",
    "power": "His freezing breath is a broad turbulent cone of violently compressed super-cold air, white condensation, mist and microscopic ice crystals leaving his masked mouth. Visible internal turbulence and vortex structure. It behaves like extreme freezing wind — never a beam, never a glow, never sparkles."
  },

{
scene starts with [ref. image] .
{

      "time": "0s-4.5s",

       "setup": "A — AERIAL WIDE",

      "beat": "NORMAL LIFE to natural calamity",

      "action": "Ordinary sunny morning. scene starts from view within the helicopter as it drifts along the coast at moderate altitude, sea frame RIGHT, village and city frame LEFT. one continuous take as the camera moves out seamlessly through the helicopter's window, and we get a broader open of the landscape. suddenly, A tsunami wave rises through the ocean turning into a huge wave, moving towards the shore.  Families on the sand, children at the surf line, fishermen beside colorful boats, vendors at stalls, motorcycles moving behind the palm line. Small ordinary waves. Nobody looking seaward.",

      "audio": "Rotors, wind, distant surf, beach chatter, children, light traffic."

    },

high quality visual effects to show the tsunami rising as huge water wall scene ends with [ref. image]
},
{
      {
      "time": "4.5s-7.5s",
      "part": 1,
      "setup": "D — CIVILIAN CLOSE",
      "beat": "THE FACE",
      "action": "CUT TO a single close shot: an older fisherman, deeply lined face, looking up and out frame RIGHT. His expression drops from puzzlement to comprehension. He turns and shouts to someone off frame LEFT. Hold on him one beat.",
      "audio": "His shout, close and cracked. The ocean roar rises sharply under it."
    },
    {
      "time": "7.5s-9.5s",
      "part": 1,
      "setup": "B then C",
      "beat": "PANIC",
      "action": "CUT BACK to ground handheld: the beach breaks. People sprint past the lens toward frame LEFT, close enough to blur. Parents snatch up children. Fishermen abandon boats mid-haul. Stalls overturn. A motorcycle skids in the sand. Messy, uncoordinated, real. CUT TO low ground wide near sand level — the crowd streams away from camera and the tsunami now fills the entire upper frame, towering over them.",
      "audio": "Screams, running feet, engines, horns, collapsing stalls, ocean roar swelling."
    },
{
      "time": "9.5s-11s",
      "part": 1,
      "setup": "E then A",
      "beat": "UNSTOPPABLE",
      "action": "CUT TO surf level, camera almost on the water. The tsunami face fills the frame — a moving cliff of deep green-blue water churning with foam and mist, its crest beginning to lean. CUT TO aerial wide: the wave against the whole coastline, fleeing people reduced to specks, boats and rooftops tiny beneath it. Seconds from impact. No escape.",
      "audio": "Overwhelming ocean roar, rotor thunder, distant screams, alarms."
    },
{
      "time": "13s-15s",
      "part": 1,
      "setup": "A",
      "beat": "ARRIVAL — ACT BREAK",
      "action": "Still aerial. A figure, Ray, rockets up from the village side, low and fast from frame LEFT, and brakes hard in midair between the beach and the wave. Air displacement punches a visible ring of spray off the sea surface beneath him. He holds position, facing frame RIGHT toward the ocean, red headwrap tail snapping violently in the wind off the wave. He is minuscule against the water.",
      "audio": "Sudden violent rush of displaced air, rotor wash distortion, a beat of near-silence under the roar."
    },
    {
      "time": "15s-17.5s",
      "part": 2,
      "setup": "F — HERO CLOSE",
      "beat": "THE CHARGE",
      "action": "CUT TO 85mm on Ray, chest-up, the wave a soft moving mass behind him. He draws an enormous breath — ribcage expands, shoulders brace, eyes narrow and fix. Icy-blue light kindles deep in his throat beneath the red mask. Frost crawls outward across his shoulders and into the weave of his shirt. Condensation pours off the fabric around his face. The air distorts with cold. His headwrap tail whips across frame. Below him the sea surface skins over with a thin pale disc of new ice.",
      "audio": "Deep strained inhale, rising cold wind, faint crystalline ticking, ocean roar held back in the mix."
    },
    {
      "time": "17.5s-21.5s",
      "part": 2,
      "setup": "A — AERIAL WIDE OBLIQUE",
      "beat": "FREEZE — PROPAGATION",
      "action": "CUT TO wide oblique aerial, full wave face in frame, Ray tiny at frame LEFT of the impact zone. He unleashes the freezing cone. It slams into the mid-face of the wave and blooms into an opaque white frost disc a third of the way up. Dendritic crystallization branches outward in racing veins, travelling faster across the water surface than through its volume — the face whitens ahead of its interior. Cold fog rolls off the freezing surface and pours downward onto the sea. The lower body of the wave begins locking first while the upper crest still travels.",
      "audio": "Massive compressed-air roar, hurricane wind, rapid crystalline expansion."
    },
    {
      "time": "21.5s-23s",
      "part": 2,
      "setup": "H — FREEZE MACRO",
      "beat": "FREEZE — MATERIAL",
      "action": "CUT TO extreme close on the freeze front. No horizon, no sky. Churning whitewater locks into porous white ice with its bubble structure intact. Airborne droplets crystallize into suspended beads hanging motionless. Thin unfrozen sheets sluice down the frozen face and freeze as they run. Hairline fractures propagate through the new ice. Icicles form and extend downward from the overhang.",
      "audio": "Deep ice cracking, rushing frost, shrieking crystalline expansion, water roar thinning out."
    },
    {
      "time": "23s-27s",
      "part": 2,
      "setup": "G — OVER SHOULDER",
      "beat": "FREEZE — THE COST",
      "action": "CUT TO over Ray's right shoulder, looking frame RIGHT into the wall. He occupies the left third, the freezing tsunami fills the rest. His forearms tremble. Frost sheets across his back and the red cloth is rimed pale at its folds but still burns deep red at its core. The breath cone narrows and intensifies as he forces out the last of it. Ahead, the crest — still travelling — slows, shudders, and locks into its exact curling turbulent shape a moment before it would have broken. The frozen mass groans and settles. Ice sheets calve from the crest lip and fall.",
      "audio": "Straining compressed-air roar dropping away, enormous resonant groan, falling ice, his breath finally breaking."
    },
    {
      "time": "27s-30s",
      "part": 2,
      "setup": "A — AERIAL WIDEST",
      "beat": "ICONIC REVEAL",
      "action": "CUT TO the widest composition of the film, climbing. The tsunami stands frozen along the shoreline — an enormous irregular sculptural wall of translucent ocean ice, its curl, foam, suspended spray and internal turbulence preserved inside. Sun passes through thinner sections lighting trapped bubbles. Cold fog spills off its base across the sand. The fleeing crowd stops and turns back. Village and city untouched. Ray hovers alone before it, a small dark figure with one point of red, tiny against the impossible thing he has stopped.",
      "audio": "Rotors and wind return to dominance. Distant stunned crowd reactions. Deep creaking and cracks from the frozen wave. No music."
    }
  ],

  "priority": [
    "Ray's appearance must match [ref. image] exactly — red headwrap and mask, charcoal work shirt, white lungi, bare feet. He is a local fisherman with power, not a costumed superhero.",
    "The freezing sequence is the most important element. Full physical detail, readable propagation speed, continuous causality.",
    "Freezing is progressive and directional — origin point, branching spread, surface before volume, base before crest, crest arrests last.",
    "Nothing supernatural appears before 13s. No frost on Ray before 15s.",
    "Screen direction and coastline geography hold across every setup change.",
    "Ray stays visually small against the wave; scale contrast is the point.",
    "The red headwrap stays readable against the ice at all times.",
    "The frozen wave keeps its irregular curling turbulent geometry — a captured ocean, not a smooth wall.",
    "End wider, not closer.",
    "Storyboards control shot composition, setup order and camera perspective only; they do not override Ray's identity, the photoreal live-action style or the final environment colour.",
    "Use only one final PART 1 storyboard and one final PART 2 storyboard as references. Ignore all earlier storyboard iterations.",
    "[ref. image] controls frozen seawater material only. [ref. image]  controls frozen tsunami form only. Keep those jobs separate."
  ],

  "constraints": [
    "Exactly one Ray, consistent identity in every frame. Face stays masked throughout.",
    "Freezing breath rendered as turbulent compressed cold air, condensation and ice crystals.",
    "Village and city structures remain fully intact.",
    "Cuts occur only at the setup changes listed in the sequence.",
    "Natural synchronised location audio only. No music.",
    "No subtitles, captions or on-screen text.",
    "Use exactly one authoritative PART 1 storyboard reference and one authoritative PART 2 storyboard reference.",
    "Do not let storyboard drawing style influence the final rendered film style."
  ]
}