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← 返回资源FLUX 3 视频提示词库
来自 FLUX 3 仓库的电影叙事、多视角、对比实验与视频生成案例。
FLUX 3视频生成37 条提示词
全部提示词 (37)
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002FLUX 3
黑暗版白雪公主场景
Handheld shaky camera, 20 seconds, dark comedy tone. Snow White in classic dress stands in the forest cottage, smiling sweetly as she hands poisoned red apples to the seven dwarfs one by one. The dwarfs eagerly bite into the apples. One by one they freeze, eyes roll back, and collapse hard onto the wooden floor in a messy pile — bodies twitching then going completely still. Camera quickly pans and zooms in handheld style onto Snow White’s face. She breaks into uncontrollable, maniacal laughter, head thrown back, eyes wide with pure evil delight, laughing harder and harder while looking down at the fallen dwarfs. Low key lighting, slight film grain, continuous handheld shake throughout. No dialogue, only the sound of her escalating laughter.
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009FLUX 3
魔像与巨魔的辩论
A cinematic conversation between a large stone golem and a rugged forest troll standing in a misty mountain clearing. They are discussing whether Flux 3 can automatically add subtitles for dialogue that is not written in the prompt. The golem speaks in a deep rumbling voice, the troll replies in a rough gravelly tone. Natural daylight, detailed textures, subtle wind, realistic atmosphere. (Automatically generate their full dialogue and burn subtitles on screen for everything they say)
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010FLUX 3
爱因斯坦推销相对论
Albert Einstein pitches General Relativity on a Shark Tank–style television show. The panel consists of Isaac Newton, who insists gravity is a force and is deeply skeptical; Galileo Galilei, who is intrigued but keeps asking for experimental proof; Nikola Tesla, fascinated by the elegance but questioning the practicality; Marie Curie, focused on scientific rigor and evidence; and Richard Feynman, who alternates between enthusiastic praise and playful criticism. The investors interrupt with tough questions, argue with one another, and negotiate over who deserves credit for explaining gravity. The tone is fast-paced, witty, and intellectually sharp, with modern reality TV editing, dramatic reaction shots, awkward silences, and over-the-top investment negotiations. Einstein passionately defends curved spacetime while Newton repeatedly says, “Why complicate something that already works?”
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014FLUX 3
同步婴儿监视器
15-second split-screen video, two equal vertical halves, one continuous take, no cuts. Both cameras show the same event at the same time, perfectly frame-synchronized. Scene: A house at night. A nursery upstairs; a kitchen downstairs. Left: Camera in the kitchen. A tired mother stands at the counter warming a bottle, a baby monitor screen beside her showing grainy black-and-white video of the nursery: crib, mobile, sleeping baby. Show only the kitchen and the monitor screen. The real nursery is never directly visible on the left. Right: Camera mounted high in the actual nursery — the exact same view the monitor shows, but in full color and clarity. Everything on the monitor screen in the left half must match this right half frame by frame: same crib, same baby, same movements, converted to grainy monochrome on the little screen. 0–5s: Right: the crib mobile begins turning slowly on its own; no one is in the room. Left: on the monitor screen, the same mobile turns; the mother doesn't notice, she's testing the bottle on her wrist. 5–10s: Right: the nursery door behind the crib drifts open a few centimeters. Left: same drift on the monitor; the mother glances at the screen, pauses, unsure, steps closer. 10–15s: Right: a cat walks in through the open door, jumps onto the crib rail, and the mobile stops. Left: the mother sees the shape on the grainy screen, tenses — then recognizes the cat, exhales, and smiles, bottle in hand. Final frame: both halves showing the cat curling up, monitor and reality identical. Every motion in the nursery must appear on the kitchen monitor at the same frame. No cuts, no lag between right half and monitor, no extra figures.
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015FLUX 3
水下自行车揭晓
15-second split-screen video, two equal vertical halves, one continuous take, no cuts. Both cameras show the same event at the same time, perfectly frame-synchronized. Scene: Calm lake at dusk. An old fisherman in a small wooden rowboat pulls a rope from the water. Left: Water-level camera from another boat. Show only the fisherman, boat, rope above water, ripples, and splashes. Nothing below the waterline is visible. Right: Underwater camera looking up. The rope leads to a sunken bicycle tangled in glowing green weeds, surrounded by small silver fish. 0–6s: The fisherman pulls. Left: he strains and the boat rocks. Right: the bicycle rises with every matching tug. 6–11s: A violent jolt. Left: he nearly falls backward. Right: a wheel catches on a rock, then pops free on the exact same frame. Fish scatter. 11–15s: The bicycle crosses the surface continuously. It must appear above water on the left only when that exact part crosses the waterline on the right. Both halves must match its height, angle, motion, rope tension, splashes, and timing frame by frame. Once fully raised, the fisherman stares, then laughs. No duplicate bicycle, broken rope, teleporting, timing offset, or camera change.
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016FLUX 3
四视角飞机故障
Four-way synchronized cinematic split-screen showing the same passenger aircraft experiencing a single-engine failure shortly after takeoff. Top left: cabin interior showing passengers, flight attendants, vibrating windows and the affected engine visible outside. Top right: exterior tracking camera following the aircraft as one engine produces brief sparks and stops generating normal thrust. Bottom left: cockpit perspective showing pilots responding professionally, warning indicators illuminating and flight controls being adjusted. Bottom right: aerial tracking view revealing the airport runway, aircraft flight path, surrounding city and gradual turn back toward the airport. At the 2-second mark, the engine failure occurs. The aircraft briefly yaws, pilots correct immediately, passengers react, and the plane stabilizes. The aircraft begins a controlled return toward the airport while emergency vehicles prepare near the runway. Perfect synchronization between aircraft attitude, engine behaviour, pilot actions, passenger reactions, weather and flight path across every panel. Realistic commercial aviation procedures, believable aerodynamics and cinematic documentary realism.
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017FLUX 3
遇见藏起来的狗
Split-screen video. Two equal vertical halves. Both halves show the SAME event, at the SAME time, frame-synchronized, filmed by two different cameras. SCENE: A quiet street, daytime. A long tall hedge wall runs along the sidewalk, too tall to see over. There is one narrow gap in the hedge ahead. A woman in a red jacket walks alone along the sidewalk on the near side of the hedge. On the FAR side of the hedge is an open grass field, where a large golden dog runs. LEFT HALF — CAMERA A: ground-level tracking shot on the sidewalk, following the woman from behind at shoulder height. IMPORTANT: from this camera, only the woman, the sidewalk, and the hedge wall are visible. The field, the dog, and anything behind the hedge are NEVER visible in the left half. The street looks calm and empty. RIGHT HALF — CAMERA B: aerial top-down drone shot, directly above, moving with the woman. This view shows BOTH sides of the hedge at once: the woman on the sidewalk, the hedge as a thin green line, and the golden dog sprinting across the field on the other side, on a converging path toward the gap in the hedge. ACTION — identical timing in both halves: 0–8s: The woman walks calmly. LEFT: peaceful, nothing unusual. RIGHT: the dog races closer and closer to the gap, its path and the woman's path clearly about to meet. 8–11s: The woman reaches the gap. The dog bursts through it. LEFT: the dog appears suddenly from nowhere, a total surprise; the woman flinches. RIGHT: the meeting looks perfectly predictable, two paths joining. 11–15s: The dog jumps up joyfully; it is her own dog greeting her. She laughs, kneels, and hugs it. Both halves show this ending. RULES: Same woman, same dog, same timing in both halves. The dog is visible ONLY in the right half until 8s. No cuts, no other people, no cars.
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018FLUX 3
四视角直升机救援
Four-way perfectly synchronized split-screen showing the same helicopter rescue operation during a dangerous mountain snowstorm. Top left: interior helicopter cabin showing rescue crew, equipment, shaking harnesses and an injured climber being prepared for extraction. Top right: exterior side-following view tracking the helicopter hovering beside a steep icy mountain cliff. Bottom left: cockpit perspective showing pilots controlling the aircraft, instrument panels, blowing snow and the cliff visible ahead. Bottom right: aerial view revealing the helicopter, mountain ridge, stranded climbers and deep valley below. At the 2-second mark, strong wind pushes the helicopter sideways. The pilot corrects the aircraft while the rescue crew lowers a cable toward the climber. Snow explodes around the rotor wash. The climber is secured and slowly lifted toward the helicopter while the aircraft maintains a difficult hover. Perfectly match helicopter orientation, cable movement, wind direction, rotor wash, climber position and lighting across all four panels. Authentic helicopter physics, realistic rescue procedures and cinematic alpine realism.
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019FLUX 3
同步咖啡馆揭晓
Split-screen video showing the same continuous real-time event from two different camera angles. The screen is divided vertically into two equal halves. On the left side, show a static, elevated wide shot of an outdoor café terrace during light rain. The full scene is visible: several tables, wet pavement, a large striped umbrella, a waiter carrying a tray with three transparent glasses of differently colored drinks, and a cyclist approaching from the background. Reflections of the people, tables, and umbrella are visible on the wet ground. At the 2-second mark, the cyclist passes close to the waiter, causing the waiter to pivot sharply without falling. The tray tilts, one glass slides toward the edge, and the waiter catches it with the opposite hand just before it drops. A small amount of liquid spills from the glass, arcs through the air, and splashes onto the pavement. At the same moment, a gust of wind lifts and twists the loose edge of the striped umbrella. On the right side, show the exact same event in perfect synchronization from a moving, waist-level camera positioned near the café entrance. The camera tracks sideways with the waiter, briefly losing sight of the sliding glass as it passes behind the waiter’s arm, then revealing it again as it is caught. The cyclist crosses the foreground, partially occluding the waiter for a fraction of a second. The colored liquid, tray angle, hand positions, clothing movement, umbrella motion, and pavement reflections must remain consistent with the left-side view. Both sides must depict the identical event with matching timing, character appearance, object positions, trajectories, lighting, reflections, weather, and physical consequences. No duplicated objects, disappearing items, changed drink colors, inconsistent hand movements, or mismatched cyclist positions.
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020FLUX 3
四视角河面降落
Four-way split-screen showing the same emergency airplane river landing from four synchronized camera perspectives. Each panel follows the aircraft continuously while the visuals change as the event unfolds. Top left: interior cabin view showing passengers, crew, shaking seats, overhead bins, and the river visible through the windows. Top right: exterior side-tracking view following the aircraft as it descends, levels out, touches the water, and creates a large spray. Bottom left: cockpit view showing the pilots, controls, instrument lights, windshield view, and final approach toward the river. Bottom right: aerial view tracking the aircraft from above, showing its flight path, surrounding city, bridges, river traffic, touchdown, and wake. At the 2-second mark, the aircraft descends lower. Passengers brace, the pilots adjust the nose, and the wings remain level. The plane touches the river, producing a wide burst of water. It skims forward, slows down, and settles while floating. Emergency boats appear in the distance. The cameras may change framing, zoom slightly, or reposition to keep the main action visible, but every panel must remain perfectly synchronized. Show identical aircraft movement, timing, passenger reactions, lighting, weather, water spray, reflections, and final position. Use realistic aviation details, natural reactions, believable water-landing physics, cinematic realism, and consistent spatial continuity. No duplicated aircraft, mismatched timing, changing plane design, teleportation, or contradictory actions between views.
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021FLUX 3
四视角便利店追逐
Four-way CCTV-style split-screen showing the same real-time event inside a convenience shop. Divide the frame into four equal security-camera views with timestamps. Top left: wide ceiling-corner view covering aisles, entrance, and cashier. Top right: overhead view above the central aisle. Bottom left: camera facing the checkout counter. Bottom right: camera near the entrance looking inward. At the 2-second mark, a customer takes a boxed item from a shelf, accidentally bumps a display, catches one falling bottle, then places the box on the checkout counter. The cashier turns, scans it, and hands over a receipt as another shopper crosses behind them. All four views must remain perfectly synchronized, showing identical people, movements, object positions, occlusions, timestamps, lighting, and physical reactions. Use realistic low-resolution CCTV footage, slight lens distortion, fixed cameras, and no cinematic camera movement.
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022FLUX 3
同步猫咪跳跃
Split-screen video showing the same real-time action from two different camera angles. The screen is divided vertically into two equal halves. On the left side, show a static, wide overhead view from a ceiling-mounted camera in the back corner of the room. The full room layout is visible: a couch, coffee table, rug, bookshelves, and a tall shelf near the wall. The cat is perched on top of the shelf. At the 2-second mark, it suddenly jumps, flips mid-air above the furniture, and lands gracefully on the coffee table. On the right side, show the same action in perfect sync from a side, eye-level camera placed low beside the couch. The view includes the shelf, the space between, and the coffee table. The camera follows the cat’s leap, capturing body motion, twist, and landing.Both sides must be precisely synchronized, showing the exact same event from different angles with consistent lighting, physics, and timing.
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