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来自 FLUX 3 仓库的电影叙事、多视角、对比实验与视频生成案例。
电影叙事提示词 (13)
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黑暗版白雪公主场景
Handheld shaky camera, 20 seconds, dark comedy tone. Snow White in classic dress stands in the forest cottage, smiling sweetly as she hands poisoned red apples to the seven dwarfs one by one. The dwarfs eagerly bite into the apples. One by one they freeze, eyes roll back, and collapse hard onto the wooden floor in a messy pile — bodies twitching then going completely still. Camera quickly pans and zooms in handheld style onto Snow White’s face. She breaks into uncontrollable, maniacal laughter, head thrown back, eyes wide with pure evil delight, laughing harder and harder while looking down at the fallen dwarfs. Low key lighting, slight film grain, continuous handheld shake throughout. No dialogue, only the sound of her escalating laughter.







魔像与巨魔的辩论
A cinematic conversation between a large stone golem and a rugged forest troll standing in a misty mountain clearing. They are discussing whether Flux 3 can automatically add subtitles for dialogue that is not written in the prompt. The golem speaks in a deep rumbling voice, the troll replies in a rough gravelly tone. Natural daylight, detailed textures, subtle wind, realistic atmosphere. (Automatically generate their full dialogue and burn subtitles on screen for everything they say)

爱因斯坦推销相对论
Albert Einstein pitches General Relativity on a Shark Tank–style television show. The panel consists of Isaac Newton, who insists gravity is a force and is deeply skeptical; Galileo Galilei, who is intrigued but keeps asking for experimental proof; Nikola Tesla, fascinated by the elegance but questioning the practicality; Marie Curie, focused on scientific rigor and evidence; and Richard Feynman, who alternates between enthusiastic praise and playful criticism. The investors interrupt with tough questions, argue with one another, and negotiate over who deserves credit for explaining gravity. The tone is fast-paced, witty, and intellectually sharp, with modern reality TV editing, dramatic reaction shots, awkward silences, and over-the-top investment negotiations. Einstein passionately defends curved spacetime while Newton repeatedly says, “Why complicate something that already works?”


